Art cognoscenti over the world debate over the theory about the presence of Mary Magdalene besides Jesus in the painting the Last Supper rather than john the Apostle?
According to art historians:
The figure to the left of Christ is said to be john the apostle, who is wearing blue and red robe. John is identified as the disciple whom Jesus loved and adored. John the apostle was generally depicted in the renaissance period as an effeminate, beardless youth with a very long hair.
The femininity of the young disciple john the apostle can be linked to the painting style of Da Vinci agglomerated from the Florentine school. The Florentine school had a long tradition of depicting young males as pretty rather effeminate persons.
According to many art historians there is no chalice in the painting. They put forward the Vinci’s traditional iconography for contemporary realism.
But certain art historians offer a highly optimistic yet interesting view. They claim that Leonardo da Vinci did paint a conventional chalice. It is not placed on the table rather it is placed on a shelf above the head of the leftmost Apostle. But again it’s debated as the decorative paneling on a door.
But the majority of the art historians elude over the idea that the biblical scene Leonardo intends to depict was John 13:21, where Jesus announces that one of his dispels would betray him. The figure of john can be seen leaning over peter.
Leonardo might have thought that the inclusion of the conventional chalice was not necessary since in the Gospel of John, Jesus does not create the Eucharist (bread and wine is His body and Blood).
According to Dan Brown:
Dan brown in his book claims that the person beside Jesus is Mary Magdalene indeed. He continues with claiming, that, there is no chalice or cup or the Holy Grail. The importance of the chalice according to the author is paramount, since the scene is the last supper, where Jesus will disclose the name of the person who will betray him and institution of Eucharist.
Brown's novel, the "Da Vinci code" refers to cryptic messages supposedly incorporated by Vinci into his artwork. According to the novel, Leonardo was a member of an ancient secret society called the "Priory of Sion”.
Brown says that in the painting of the last supper Da Vinci is telling us that the figure that is always identified as John the Apostle is really Mary Magdalene. And that these two figures together form an "M," and De facto, he put forwards a theory concerning the Holy Grail or the chalice or a cup, linked with the marriage between Jesus and Mary Magdalene. And so the sacred feminine is related to Mary Magdalene.
He puts forward another probable theory that the space between the Jesus and Mary(according to the author) there is a sign of V. The sign V between any couple relates to marriage. The sign V is identified with woman or the womb and Inverted-v represent the male or the strength.
Again if we change the place of the claimed-Mary Magdalene to the right side of Jesus the painting fits again. It is seen that Mary Magdalene is leaning on the shoulders of Jesus.